English 304: Shakespeare: Major Plays (Prof. Boyer)
Reading Questions for Twelfth Night
Keyed to The Norton Shakespeare
The best beginning procedure is always to familiarize yourself with the cast of characters and then to read the play (or at least an act or a scene) all the way through so that you know what's happening. The notes can help if you're stuck, but try to get the big picture of a scene before getting bogged down in details. Read through, then go back and clear up details. Then you're ready to think about the questions.

Act 1
Act 2
Act 3
Act 4
Act 5
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ACT 1

1.1

1.

What is Duke Orsino like? Why does he feel this way?

2.

Why is Olivia in mourning and how long will it last (1.1.25-31)?

1.2

1.

What has just happened to Viola? Whom does she think of first (1.2.4-5)?

2.

Why does Viola want to serve Olivia (1.2.32-39)? What does she finally decide to do?

1.3

1.

Who is Sir Toby and what is his relation to Olivia? What is his attitude toward life?

2.

Who is Sir Andrew Aguecheek and why is he there? When he appears at line 36.1, does he fit the description given of him earlier? What does he plan to do (1.3.75-76)? Why doesn't Sir Toby want him to leave? (Hint: see 1.3.18.)

1.4

1.

Who is Cesario and what is his relation to Duke Orsino? What is Cesario being sent to do?

2.

What does Orsino think he sees when he looks at Cesario (1.4.29-33)? What does he really see without knowing that he does?

1.5

1.

Why is Feste (the Clown) in trouble and how does he get out of it?

2.

From what we see of her up to 1.5.84, how seriously is Olivia mourning?

3.

What does Malvolio think of Feste (1.5.71-76)? What does Olivia think of Malvolio and Feste (1.5.77-82). What is an "allowed fool" (line 80)?

4.

How does Maria describe the young man at the gate (1.5.85-89)? How does Sir Toby describe him (lines 101-113)? How does Malvolio describe him (lines 123-144, especially 139-144)? Have any of them seen who is really there? Have any of them come close? (Remember Orsino at 1.4.29-33.) Who is "the young man at the gate"?

5.

Read the scene between Olivia and Viola/Cesario carefully (1.5.149-258). What happens in it? Try to break the scene into segments; what happens in each? What has happened to Olivia (1.5.259-269)? What does she tell Malvolio to do? What does Olivia see when she looks at Viola/Cesario?

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ACT 2

2.1

1.

Who is Sebastian? Given what he says in 2.1.13-27, what do you expect will happen when he goes to Orsino's court (line 36-37)?

2.

Who is Antonio? Why shouldn't he go to Orsino's court, and why will he (2.1.39-42)?

2.2

1.

What does Viola/Cesario learn from her/his encounter with Malvolio? How will she solve it? (Note especially 2.2.38-39.)

2.3

1.

What time is it? What are Sir Toby, Sir Andrew, and Feste doing? Why does Sir Toby think he can get away with it (2.3.68-71)?

2.

What is Malvolio's response to them? How does Sir Toby treat him? (Note especially 2.3.102-104.)

3.

How does Maria describe Malvolio (2.3.131-136)? What is Maria's plan (2.3.138-155)? From what we have seen, does Malvolio deserve to have a trick like this played on him?

2.4

Who sang for Orsino? (See 2.4.8-11.) Is this in conflict with 1.2.53-55?

2.

According to Orsino, should the man or the woman be older? Does he hear what Viola/Cesario is saying in 2.4.22-27? How willing (or able) is Orsino to listen to other people's ideas?

3.

What is Feste saying in 2.4.72-76? To whom is he saying it?

4.

What issue does Viola/Cesario raise in 2.4.85-86? How does she/he develop the idea in lines 87-90? How does Orsino answer her in lines 91-101?

5.

What happens to Viola/Cesario at line 2.4.102? Does Viola almost give herself away? How does she cover herself in lines 104-105?

6.

Does Orsino change his behavior during Viola/Cesario's story about "his" sister? Notice that his questions respond to what she has said. Has he ever truly listened to anyone this way before? What do his speeches in lines 108 and 118 suggest?

7.

What is Viola feeling as she/he tells the sister's story (2.4.106-120)? Is she trying to make Orsino see who she really is (consciously or unconsciously)? If she keeps going, will even he figure it out? Is that why she asks the question in line 121, to get his mind onto something else?

2.5

1.

How big is Maria? (See 2.5.11 and other references.) What part did this actor probably play in A Midsummer Night's Dream (if you have read that play)?

2.

What is Malvolio doing before he finds the letter (i.e., in 2.5.20-73)? What does this tell us about him? (Of course, we might note lines 20-21; perhaps the plot has already begun.)

3.

How does Malvolio read the inscription (2.5.74-124)? How does he read the body of the letter (lines 124-151)? How does he read the postscript (lines 151-155)? How will he appear when we next see him? How will Olivia respond? (See lines 172-178.) Does he deserve to have this trick played on him?

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ACT 3

3.1

1.

How does Feste fare with Viola/Cesario (3.1.1-52)? Why does Feste mean when he says he is Olivia's "corrupter of words" (line 31)? What is he trying to accomplish when he talks about Cressida, Troilus, and Pandarus (lines 38-52)?

2.

What is Viola/Cesario saying about Feste in 3.1.53-61? How well does Viola understand Feste?

3.

What happens when Olivia meets Viola/Cesario (3.1.86-155)? Does Olivia understand who this person really is who says "I am not what I am" (line 132)?

3.2

1.

Why is Sir Andrew leaving (3.2.1-6)? How does Sir Toby get him to stay? What will Sir Andrew do instead of leaving?

2.

What does Maria tell them to come and see (3.2.58-72)?

3.3

1.

Why won't Antonio go with Sebastian to view the town (3.3.25-37)?

2.

What does Antonio give Sebastian and why?

3.4

1.

What does Malvolio look like when he enters at 3.4.15.1? What does he think he is saying in lines 36, 38, 40, 42, 44-45, 47, 49, and 51? Does he expect Olivia to recognize the statements? Does she recognize them? What does she think he is saying, especially at 3.4.49-50? How does she diagnose what is wrong with Malvolio (3.4.52)?

2.

Does Malvolio realize that anything is wrong? Should he respond as he does in 3.4.60-76?

3.

How do Sir Toby, Fabian, and Maria treat Malvolio (3.4.77-112)? What do they assume (at least to him) is the nature of his madness? How do they propose to treat it? (See 3.4.121; this is the normal treatment at the time for madness.)

4.

What is the effect of Fabian's statement at 3.4.114-115?

5.

How good is Sir Andrew's challenge (3.4.127-162)? How does Sir Toby plan for the encounter to take place (3.4.163-173)?

6.

How is Olivia's suit to Viola/Cesario going (3.4.178-193)?

7.

Read the "duel" scene carefully (3.4.194-276). How eager are Viola/Cesario and Sir Andrew to fight? How are Fabian and Sir Toby helping matters along? Is the scene funny? Consider how you might stage the scene.

8.

What happens when Antonio and then the Officers appear (3.4.277-298)?

9.

How does the play change at 3.4.298? What plot complication now needs to be resolved? What happens when Antonio asks for his purse at line 301? What should Viola learn from what Antonio says in lines 324-335? Does she learn anything? (See lines 338-349.) Does anyone else learn anything or even recognize what has happened? Has Sir Toby understood anything (3.4.350-353)? Do you recognize anything familiar in line 354?

10.

What is Sir Andrew going to do next? Why? (See lines 354-359.)

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ACT 4

4.1

1.

How well do Feste and Sebastian get along (4.1.1-20)?

2.

What happens when Sir Andrew attacks the person he thinks is Cesario (4.1.21-40)? Who wins?

3.

What happens when Olivia interrupts them at line 40? How does Sebastian respond to Olivia? What does she think is happening?

4.2

1.

How do Sir Toby, Maria, and especially Feste treat Malvolio? Does Malvolio still deserve the treatment he receives? Note Sir Toby's change of heart at 4.2.59-64.

4.2

1.

What is Sebastian's response to what has happened? How does 4.3.4 (and Sebastian's speech in general) connect this scene to 4.2?

2.

To whom does Olivia think she is talking? What does she want Sebastian to do? Will he do it?

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ACT 5

5.1

1.

How successful is Feste in dealing with Orsino (5.1.7-43)? Why is the Duke there?

2.

What happens when the officers bring Antonio to Orsino (5.1.44-91)? How long ago did the ship carrying Viola and Sebastian sink (5.1.89)? Does this amount of time match what you feel has happened in the play?

3.

What do you expect will happen when Olivia enters at 5.1.91.1? What happens to Olivia as she and Orsino talk (5.1.96-112)? Why might she be surprised at Cesario's answers? What does Orsino threaten (5.1.113-116)? What does he threaten to do to Viola/Cesario and why (5.1.117-127)? How does Viola/Cesario respond (lines 128-129)? But what has Orsino revealed that he has not said (or perhaps realized) before (lines 122 and 126-127)?

4.

How does line 139 change the situation? What has happened to Viola's hopes for Orsino by line 167?

5.

Based on what Sir Andrew says when he enters at line 167.1, what has happened offstage? What revelation can we expect soon? But first, what happens between Sir Toby and Sir Andrew at lines 196-199?

6.

What happens when Sebastian enters at line 200.2? Who first recognizes him? Whom does he first recognize?

7.

How long does it take for Viola and Sebastian to recognize each other? Why doesn't she just say who she is at line 235? Is it really taking this long, or are they playing it out?

8.

How does Sebastian explain what almost happened to Olivia (5.1.252-256)?

9.

What's going to be the problem in getting Viola dressed like a woman? (See lines 247-248 and 266-271.)

10.

How is Malvolio's situation resolved? How is the captain's situation resolved? Is Malvolio placated?

11.

How does Feste explain his part in tricking Malvolio (5.1.359-365; compare 1.5.71-76)? What does Feste mean by line 364?

12.

What weddings will take place, and where? (See lines 307-315 and 369-372-but also note line 353.)

13.

What characters are left out of the happiness?

14.

Is Feste's song (lines 376-395) a fitting conclusion to the play?

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